Falcon

Greater London South West - Battersea

A historic pub interior of national importance

Listed Status: II

2 St Johns Hill
Battersea, Clapham Junction
SW11 1RU

Tel: (020) 7228 2076

Email: falcon@nicholsonspubs.com

Website https://www.nicholsonspubs.co.uk/restaurants/london/thefalconclaphamjunctionlondon

Real Ale: Yes

Real Cider: Yes

Lunchtime Meals: Yes

Evening Meals: Yes

Nearby Station: Clapham Junction

Station Distance: 80m

Public Transport: Near Railway Station (Clapham Junction) and Bus Stop

Bus: Yes

View on: Whatpub

Mightily impressive pub-cum-former-hotel of 1887 with many original features. Huge central servery with curvaceous counter and enormously high bar-back with etched glass mirrors. The counter is the longest in the country at 125 ft (the runners up are the Bowland Beer Hall, Clitheroe, Lancs (105ft: modern) and the Horse Shoe, Glasgow (104ft: late Victorian). Much wall panelling. Surprisingly restrained woodwork in contrast to the usual Victorian exuberance. Small, intimate bar at front left. Stained glass in rear area showing the pub in its 1801, 1883 and 1887 incarnations. Note also the stained glass panel depicting a falcon in the front door lobby.

A great deal of the original arrangements survive and give an idea of what a big, quite classy, London pub looked like a century ago. In the angle of the roads is a large public bar (originally with internal partitions) and at the rear a luxuriously panelled room with wood carvings and a large timber fire surround (pity about the garish modern glass in the skylights).

Mightily impressive pub-cum-former-hotel of 1887 with many original features, including The counter is the longest in the country at 125 ft (the runners up are the Bowland Beer Hall, Clitheroe, Lancs (105ft: modern) and the Horse Shoe, Glasgow (104ft: late Victorian). Built as a hotel-cum-pub, it is a showy building of red brick with stone enrichments and on the ground floor are stone and granite pilasters. The interior has three distinctive sections – the main part on the right is almost U-shaped and would have been sub-divided by internal partitions as there are three entrances to it; also a tiny screened ‘private bar’ on the front left and at the rear an L-shaped area restricted to diners at certain times.. There are castiron columns with stylised Corinthian capitals painted gold.

The left-hand entrance has a large lobby with a figure ‘5’ on one of the inner doors. A passage with terrazzo floor and panelled walls including a large Old Bushmill’s whiskey mirror leads to another set of double doors with deep etched and frosted ‘Billiards’ panels beyond which is a luxuriously panelled room It has panelled walls to picture frame height with a number of decorative wood carvings and pilasters with decorative capitals. On the left hand side are two short screens with stained glass panels. It is a pity about the garish modern glass in the pair of skylights. On the rear wall is a large ornate timber fire surround with modern brick infill and a plain mirror in a good wood surround above.

A large stained glass window featuring some notable glass in three panes. The first features a painted depiction of the pub in its humble pre-1887 guise with the wording “The Falcon 1883’; the second shows funeral carriages stopping off at ‘Death’s Door’, the nickname for a former landlord, a Mr Death.with the wording ‘1801 Deaths Door’; and the third features a painted depiction of the present, grander manifestation and has the wording ‘The Falcon 1887’. On the right-hand side of the rear ‘dining area’ section is a curved panelled area with a doorway linking it to the rear part of the main bar.

In the middle is a large serving area enclosed by a curvaceous counter which is claimed as the longest in Britain (its only real rival is the Horseshoe Bar, Drury Street, Glasgow, Scotland). This serves all three rooms with virtually identical panelled counter fronts and pillasters but the bar top in the very rear area is wider than elsewhere so may be modern and part in the rear right area looks more inter-war than Victorian. The elaborate pot-shelf on the rear right of the counter is modern work.

In the centre of the servery is an enormously high bar-back with etched glass mirrors throughout including a top section held up by square pillars; fridges have replaced most of the lower bar back shelves. The stairs to the cellar also lead from within the bar back.

The private bar at the front is formed by a three-quarter height timber and glass partition wall beyond which is the terrazzo floored passageway, which has a middle row of deep etched and frosted panels of a floral design and two low partitions attached to the counter. The low partitions have five narrow bays each, the middle of which is now a doorway having originally been a barrow door with good etched and frosted panels with floral designs.

The large public bar has a vestibule entrance on St Johns Hill side with lovely stained glass panel depicting a falcon in the right hand inner door and a ‘Private Bar’ panel on the left hand door. The corner entrance has some deep etched and frosted panels with floral designs.

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